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	<title>SRESHTA RIT PREMNATH</title>
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		<title>Spectral Evidence &#8211; critic&#8217;s pick on Artforum.com</title>
		<link>http://circumscript.net/?p=1176</link>
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		<pubDate>Sun, 08 Aug 2010 15:50:28 +0000</pubDate>
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		<description><![CDATA[Spectral Evidence Doretta Lau 1A SPACE Unit 14,Cattle Depot Artists Village,, 63 Ma Tau Kok Road, To Kwa Wan, Kowloon, July 15–September 5 View of “Spectral Evidence,” 2010. “Spectral Evidence,” the first of two exhibitions curated by Steven Lam at 1a Space, features works by Lin + Lam, Sreshta Rit Premnath, and Simon Leung. The [...]]]></description>
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		<title>Spectral Evidence on ArtSlant</title>
		<link>http://circumscript.net/?p=1172</link>
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		<pubDate>Sun, 08 Aug 2010 15:45:24 +0000</pubDate>
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		<description><![CDATA[Spectral Narrative in Hong Kongby Robin Peckham Spectral Evidence 1a Space Unit 14, Cattle Depot Artist Village, 63 Ma Tau Kok Rd., To Kwa Wan, Kowloon, Hong Kong, China July 15, 2010 &#8211; September 5, 2010 For its inaugural curatorial residency, 1a Space has invited Steven Lam, New York-based artist, curator, and educator affiliated with [...]]]></description>
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		<title>Ekphrasis (Recto/ Verso)</title>
		<link>http://circumscript.net/?p=1123</link>
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		<pubDate>Tue, 20 Jul 2010 00:25:37 +0000</pubDate>
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		<description><![CDATA[Extracted from a curatorial statement by Steven Lam for the show “Spectral Evidence” at 1A Space, Hong Kong: The anti-monument is explored in Premnath’s Ekphrasis (2010), which consists of a series of folded-open images made to the scale of a broadsheet newspaper. During WWII many of the statues in Hong Kong were dismantled and melted [...]]]></description>
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		<title>Horizon</title>
		<link>http://circumscript.net/?p=1113</link>
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		<pubDate>Tue, 20 Jul 2010 00:15:35 +0000</pubDate>
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		<description><![CDATA[Extracted from a curatorial statement by Steven Lam for the show &#8220;Spectral Evidence&#8221; at 1A Space, Hong Kong: In Horizon (2010), Srestha Rit Premnath has culled images from photo sharing websites of several Christopher Columbus monuments in the Americas. Upon first glance the photographs appear to be self-evident, but upon closer inspection one finds that [...]]]></description>
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		<title>&#8220;Spectral Evidence&#8221; at 1A Space, Hong Kong</title>
		<link>http://circumscript.net/?p=1097</link>
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		<pubDate>Sat, 10 Jul 2010 12:11:48 +0000</pubDate>
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		<description><![CDATA[14 Jul 2010 &#8211; 05 Sep 2010 1A Space Unit 14, Cattle Depot Artist Village, 63 Ma Tau Kok Road, To Kwa Wan, Kowloon, Hong Kong Curator: Steven Lam Artists: Sreshta Rit Premnath, Simon Leung, Lin + Lam Opening reception: 14 July 2010, 7pm Exhibition period: 15 July 2010 – 5 Sept 2010 Spectral Evidence, [...]]]></description>
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		<title>&#8220;Love Letters To A Surrogate&#8221; at Torrence Art Museum</title>
		<link>http://circumscript.net/?p=1092</link>
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		<pubDate>Sat, 10 Jul 2010 12:06:49 +0000</pubDate>
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		<description><![CDATA[July 10, 2010 12PM &#8211; 5PM Torrence Art Museum 3320 Civic Center Drive Torrance, CA 90503 Curator: Warren Neidich Artist collaborators: Lindsay August-Salazar / Micol Hebron, Elena Bajo / Sreshta Rit Premnath, Vanessa Conte / Christian Xatrec, Zoe Crosher / Linda Quinlan, Krysten Cunningham / Elena Bajo, Ania Diakoff / Eric Angles, Filip Gilissen / [...]]]></description>
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		<title>Zero Knot</title>
		<link>http://circumscript.net/?p=1042</link>
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		<pubDate>Wed, 23 Jun 2010 13:04:55 +0000</pubDate>
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		<description><![CDATA[In “Zero Knot,” an installation and publication, I examine the spectral figure of the monument – a memorial from the past that points towards its historic conception of a future. The central object in his installation is, what appears to be, a saluting figure standing on a pedestal that is covered up with tarp. This [...]]]></description>
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		<title>&#8220;The spectacle of power&#8221; in Bangalore Mirror</title>
		<link>http://circumscript.net/?p=1036</link>
		<comments>http://circumscript.net/?p=1036#comments</comments>
		<pubDate>Sat, 12 Jun 2010 07:05:59 +0000</pubDate>
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		<description><![CDATA[A Zero Knot, in mathematics, is akin to a rubber band - a flexible string without ends that can be twisted and crumpled into different shapes.  What interested me about this property of a form was that although it can be reduced to zero it still appears to be more complicated when it is twisted.  This fit alongside my feeling that although political power is constantly passed from one individual to another, the spectacle of power - statues, advertisements, rhetoric - seems to remain fairly fixed and keeps repeating. If we look at a history of political statues in India beginning with colonial statues of various British viceroys and nobility to Nehru and Ambedkar, the gesture of the figure on a pedestal with one arm raised keeps repeating.  An important question for me is: What does it mean to adopt the language (of power) of the overthrown structure. By recycling a language do we recycle the ideas articulated by it? Through gestures of negation (covering up a statue for instance) is it possible to imagine a new language?]]></description>
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		<title>&#8220;Zero Knot&#8221; at Art Statements, Art&#124;41&#124;Basel</title>
		<link>http://circumscript.net/?p=1029</link>
		<comments>http://circumscript.net/?p=1029#comments</comments>
		<pubDate>Fri, 04 Jun 2010 16:18:46 +0000</pubDate>
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		<title>&#8220;Other Than Beauty&#8221; at Friedman Benda</title>
		<link>http://circumscript.net/?p=1020</link>
		<comments>http://circumscript.net/?p=1020#comments</comments>
		<pubDate>Tue, 25 May 2010 15:20:59 +0000</pubDate>
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		<description><![CDATA[May 28 &#8211; July 30, 2010 Ai Weiwei / Janine Antoni / Hans Bellmer / Joseph Beuys / Louise Bourgeois / John Cage / John Chamberlain / Chitra Ganesh / Robert Gober / Zhang Huan / Kim Jones / Titus Kaphar / Jannis Kounellis / Ana Mendieta / Bruce Nauman / Yoko Ono / John [...]]]></description>
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